Returning to the interior, Joan had duly admired the Cheyne monument, but had been unable to disguise her amusement before the tomb of Mrs. Colvile, whom the sculptor had represented as a somewhat impatient lady, refusing to await the day of resurrection, but pushing through her coffin and starting for Heaven in her grave-clothes. Pausing in front of the Dacre monument, Joan wondered if the actor of that name, who had committed suicide in Australia, and whose London address she remembered had been Dacre House just round the corner, was descended from the family; thinking that, if so, it would give an up-to-date touch to the article. She had fully decided now to write it. But Mary Stopperton could not inform her. They had ended up in the chapel of Sir Thomas More. He, too, had “given up things,” including his head. Though Mary Stopperton, siding with Father Morris, was convinced he had now got it back, and that with the remainder of his bones it rested in the tomb before them. “Beg pardon, nurse,” he said, “but we’ve sent for a stretcher, as the police don’t seem in any hurry. Would you like us to take him. Or would it upset him, do you think, if he knew?”!

“Yes,” said Joan. “We are founding the League of Youth. You’ve got to be in it. We are going to establish branches all round the world.” Mrs. Phillips gave a little start at seeing her; but was glad that she had come. Phillips had not been down for two days and she had been feeling lonesome. She persisted in talking more than Joan felt was good for her. She was feeling so much better, she explained. Joan was relieved when the nurse came back from her walk and insisted on her lying down. She dropped to sleep while Joan and the nurse were having their tea.

Years afterwards, listening to the overture to Tannhäuser, there came back to her the memory of that night. Ever through the mad Satanic discords she could hear, now faint, now conquering, the Pilgrims’ onward march. So through the jangled discords of the world one heard the Song of Life. Through the dim aeons of man’s savage infancy; through the centuries of bloodshed and of horror; through the dark ages of tyranny and superstition; through wrong, through cruelty, through hate; heedless of doom, heedless of death, still the nightingale’s song: “I love you. I love you. I love you. We will build a nest. We will rear our brood. I love you. I love you. Life shall not die.” There came a day in early spring. All night long the guns had never ceased. It sounded like the tireless barking of ten thousand giant dogs. Behind the hills, the whole horizon, like a fiery circle, was ringed with flashing light. Shapeless forms, bent beneath burdens, passed in endless procession through the village. Masses of rushing men swept like shadowy phantoms through the fitfully-illumined darkness. Beneath that everlasting barking, Joan would hear, now the piercing wail of a child; now a clap of thunder that for the moment would drown all other sounds, followed by a faint, low, rumbling crash, like the shooting of coals into a cellar. The wounded on their beds lay with wide-open, terrified eyes, moving feverishly from side to side. It was not of herself she was thinking. It was for his work’s sake that she wanted to be near to him always: that she might counsel him, encourage him. For this she was prepared to sacrifice herself, give up her woman’s claim on life. They would be friends, comrades—nothing more. That little lurking curiosity of hers, concerning what it would be like to feel his strong arms round her, pressing her closer and closer to him: it was only a foolish fancy. She could easily laugh that out of herself. Only bad women had need to be afraid of themselves. She would keep guard for both of them. Their purity of motive, their high purpose, would save them from the danger of anything vulgar or ridiculous.